Melbourne Prize for Urban Sculpture 2011 (up date)

Murray-White Melbourne Prize for Urban Sculpture 2011

Melbourne Prize for Urban Sculpture 2011, Clive Murray-White
Sara Delaney - a head of her time

This post is for the many well wishers I have from around Australia and the world. No we didn't win the big prize but in truth that's not really the main thing with the Melbourne Prize for Urban Sculpture - it only comes around once every 3 years and only 6 participants are selected from the hundreds that apply, it is what I'd call, aimed at the pointy end of the art world. New propositions, stretching the boundaries, questioning what art should or could be - and it is against this background that I feel very honoured to have been selected. I think almost all the other participants were around the same age as my children, in fact we discovered that I'd taught the mother of one of them at art school many years ago.

We all have our ideas about art and for me the great tradition of sculpture was never quite as broken as we though it was back in the 60's and 70's. Painters never threw away painting but the sculptors enthusiastically thrashed the lot and tried to start again (me included). Who knows if they really succeeded - maybe only time will tell.

Melbourne Prize for Urban Sculpture 2011, Clive Murray-White
Sara Delaney - a head of her time (back)

The public enjoying marble - shortly after taking this picture I saw both the women stand on either side of the sculpture and press their cheeks against Sara's!

Melbourne Prize for Urban Sculpture 2011, Clive Murray-White
Sara Delaney - a head of her time

Melbourne Prize for Urban Sculpture 2011, Clive Murray-White
Sara Delaney - a head of her time

I just had to include this snap of a family taking a break

and a glimpse of the festivities at the BMW "Edge" Federation Square, Melbourne

Sara Delaney goes to Fed Square

7.30am Monday 7 November Sara Delaney - a head of her time gets ready for her ride up Federation Square to take her chances in the Melbourne Prize for Urban Sculpture 2011

And here she is having her feet adjusted by the Fasham's crew (+ a couple of Fed Square guys) so she sits nicely on the cobble paving, all that attention, how lucky can a girl be? Judging takes place tomorrow! Winner announced Wednesday!!

Frankston Freeway Sculpture Failure

I've thought about this for a little while. So much of what we do as artists never sees the light of day, especially our failed efforts in big competitive public commissions. The images on this page, come from my submission for the Southern Way (near Frankston) McClelland Gallery Freeway Sculpture competition, won by Dean Colls with his large ram's skull recently shown in the Herald- Sun.

The pictures on this page show a work that was to be a self contained and totally relocatable, solar powered museum that contained one perfectly lit carved marble sculpture. I like this idea a lot and feel that it is an optimistic statement that encourages people to consider sustainability.

Melbourne Prize for Urban Sculpture - Soiree at the Sofitel

Soiree at the Sofitel

Tough life being a sculptor! Its not not all standing out in my freezing studio rasping knuckles against stone, on Thursday evening we spent a very pleasant time, meeting the sponsors, other competitors, judges and organisers of the Melbourne Prize for Urban Sculpture 2011 up on the 35th floor of the Sofitel - from the plate glass floor to ceiling windows we could look down on our sculpture sites in Federation Square - and - the MCG, Governent House, NGV and out into the bay - Spectacular!! Wine and nibbles were pretty good too!!

Even found time to visit my old mate Alfred Felton and spend time at the Vienna show at the NGVI.

image: Clive Murray-White - The Alfred Felton Centenary Sculpture, commissioned by the Felton Bequest. 2004

Red Sock Nostalgia

Here's a bit of a blast from the past! something that'll take all those poor students of mine back to their first sculpture class, yes it's the dreaded red sock!!!

For those of you who never attended my classes a little explanation may be in order, picture a sculpture studio in any of our art schools, it's furniture is pushed back towards the walls and there is a lonely chair just sitting in the middle. This is what greeted countless generations of fresh faced enthusiastic first year students.

I take up my position on the chair and start explaining that sculpture is different to the other subjects taught in art schools, for a start it exists in real space, is made of real stuff, can be made from anything and can be very easy to do...........

I take my right shoe and sock off (always guaranteed to keep the student's attention!) and I put the sock on the chair (just like the picture above) and ask, "Why does this work?"

Followed by, "What can we do to improve it?"

And as they juggled socks around, tried re-orientating the chair etc, etc, I quietly said to myself, "Welcome to sculpture!"

Melbourne Prize for Urban Sculpture 2011

Isaac Greener & Lucas Maddock
Bianca Hester
Sonia Leber & David Chesworth
Clive Murray-White
Tom Nicholson
Stuart Ringholt

2011 Finalists

An exhibition of the above finalists will be held at Federation Square between

7 and 21 November 2011.

The $5,000 Civic Choice Award 2011 will be open for voting, at this website, only during the November exhibition dates.

All announcements will be made at
www.melbourneprizetrust.org

As you may be able to imagine this makes me very happy and consider it a considerable honour to have been included.

You have to wait until the exhibition to see exactly what I proposed but here are a few words from my application:

"It is a sculpture that challenges conventional concepts about site specifics and urban sculpture by concentrating not on the aesthetics and narrative of space but on the people for whom that space was originally designed. Each person's mind is a specific site.

By claiming air rather than ground this work activates an urban spacial area with no built baggage"

Finished..................

The little sculpture that refuses to be finished, only 21cms high, it's been on and off the work bench for a year. It started out as my first study of Iris and has been modified each time I've made another sculpture of her. I've kind of said enough's enough but know that as soon as I start the next she'll beckon again.

It is one of the glories of stone that it allows you to treat it, much like drawing, as a series of adjustable approximations.